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In the early days, romance was rarely about individual desire; it was about . Images were heavily stylized, drawing from classical theatre and mythology. The male lead was a righteous hero (often a king or deity), and the heroine was the epitome of sacrifice ( sati savitri ). The romance was a union sanctioned by the cosmos—not by personal choice.

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In the 1970s and 1980s, Tamil cinema witnessed a shift towards more melodramatic and masala films. Movies like "Annappoorani" (1969) and "Udhaya Geetham" (1985) featured elaborate song-and-dance numbers and over-the-top drama. In the early days, romance was rarely about