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Even the monsoon —that eternal cinematic cliché—is redefined. In old Bollywood, rain is for romance. In Kumbalangi Nights , rain is the smell of decay and the sound of a family falling apart. In Mayanadhi (2017), the persistent drizzle over Kozhikode’s beaches is not erotic; it is melancholic, mirroring the protagonists’ impossible love and criminal pasts.

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