Tybalt, the reason that I have to love thee Doth much excuse the appertaining rage To such a greeting: villain am I none; Therefore farewell; I see thou know’st me not.
: Actors should practice stressing syllables carefully to ensure the lines "fly glibly and energetically". 2. Creative Staging and Set Design the seussification of romeo and juliet script pdf work
Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. But wait! I speak in verse of Shakespeare’s style, Which isn’t quite appropriate, the while. For this is the Seussification! A Seussian simplification! A whimsical re-creation! A rhyming jubilation! I’ll try again, if you don’t mind, To see if I a rhyme can find! Tybalt, the reason that I have to love
The most critical element is the Seussian rhythm . Directors should ensure actors stress the correct syllables so the couplets "fly glibly" rather than falling flat. Creative Staging and Set Design Two households, both
