began the process of drawing the dark energy toward himself. Slowly, the girl’s thrashing subsided, her face softening as the oppressive atmosphere shifted away from her bed and toward the corner where
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The archetype of The Nightmare—immortalized by Henry Fuseli’s 1781 painting—is not a character but a condition . It features a sleeping woman, a crouching incubus on her chest, and a horse’s head (the mare) peering through curtains. Its utility lies in three domains: began the process of drawing the dark energy toward himself