| Stage | Best Practices | |-------|-----------------| | | • Test both SD cards for write speed (≥ 250 MB/s). • Update firmware ( Support.sony.com/ssis903 ). • Create a shot list with specific frame rates & picture profiles. | | Capture | • Use dual‑recording : primary on Card 1 (All‑Intra), backup on Card 2 (Long‑GOP) for safety. • Keep a log sheet for card IDs, take numbers, and any exposure notes. | | On‑set Monitoring | • Attach a 10‑bit external monitor via HDMI to verify exposure and focus. • Use focus peaking (Menu > AF > Peaking) for manual focus work. | | Audio | • Record a slate (clap) at the start of each take for sync reference. • Monitor levels on the built‑in headphone jack. | | Post‑production | • Ingest using proxy workflow (e.g., DaVinci Resolve generates 1080 p proxies automatically). • If you shot in Log , apply the Sony S‑Log3 LUT (or custom) before color grading. • For All‑Intra footage, you can edit directly without needing an intermediate codec. | | Backup | • Copy footage to two separate drives (RAID‑1 and an external SSD) on the same day. • Verify MD5 checksums ( md5sum ) to ensure integrity. |
Always ensure that you access digital content through legitimate, authorized distribution channels to support the creators and maintain the highest quality standards.
This article is for informational and educational purposes regarding digital video standards and resolutions. It does not endorse or promote any unauthorized distribution of copyrighted material.
While it may come with a higher price tag and require some time to get accustomed to, the SSIS-903 4K is an investment worth considering.
Ssis-903 — 4k
| Stage | Best Practices | |-------|-----------------| | | • Test both SD cards for write speed (≥ 250 MB/s). • Update firmware ( Support.sony.com/ssis903 ). • Create a shot list with specific frame rates & picture profiles. | | Capture | • Use dual‑recording : primary on Card 1 (All‑Intra), backup on Card 2 (Long‑GOP) for safety. • Keep a log sheet for card IDs, take numbers, and any exposure notes. | | On‑set Monitoring | • Attach a 10‑bit external monitor via HDMI to verify exposure and focus. • Use focus peaking (Menu > AF > Peaking) for manual focus work. | | Audio | • Record a slate (clap) at the start of each take for sync reference. • Monitor levels on the built‑in headphone jack. | | Post‑production | • Ingest using proxy workflow (e.g., DaVinci Resolve generates 1080 p proxies automatically). • If you shot in Log , apply the Sony S‑Log3 LUT (or custom) before color grading. • For All‑Intra footage, you can edit directly without needing an intermediate codec. | | Backup | • Copy footage to two separate drives (RAID‑1 and an external SSD) on the same day. • Verify MD5 checksums ( md5sum ) to ensure integrity. |
Always ensure that you access digital content through legitimate, authorized distribution channels to support the creators and maintain the highest quality standards. SSIS-903 4K
This article is for informational and educational purposes regarding digital video standards and resolutions. It does not endorse or promote any unauthorized distribution of copyrighted material. | Stage | Best Practices | |-------|-----------------| |
While it may come with a higher price tag and require some time to get accustomed to, the SSIS-903 4K is an investment worth considering. | | Capture | • Use dual‑recording :