"You heard about the rich businessman who was found dead at the Café de la Paix?" Lucien asked, his voice low and conspiratorial.

In The Hanged Man of Saint-Pholien , Maigret follows a suspicious man across Europe not because of evidence, but because of a “bad feeling” about the man’s coat and sad eyes. In The Cellars of the Majestic , he spends more time watching how hotel staff move through hidden corridors than interrogating the rich suspects.

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