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This paper asks: How has Lara Dutta’s visual and narrative image been packaged and consumed across changing media ecologies? The hypothesis is that Dutta’s image has moved from a (early 2000s) to a relatable urban wife (mid-2000s-2010s), and finally to a subversive character actor (2020s). By analyzing key texts— Andaaz (2003), No Entry (2005), Chalo Dilli (2011), and the web series Hiccups & Hookups (2021) and Ranneeti: Balakot & Beyond (2024)—this paper traces the dialectic between Lara Dutta the ‘image’ and the industrial demands of Indian popular media. lara dutta xxx images link

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