Harold Rosenberg The Tradition Of The New Pdf Version
This emphasis on action and process led Rosenberg to focus on the avant-garde movements of the time, such as Abstract Expressionism and Surrealism. He saw these movements as exemplifying the tradition of the new, in their rejection of traditional forms and their emphasis on experimentation and innovation.
Rosenberg posits that the canvas is no longer a space to reproduce an object, but "an arena in which to act". Existentialism in Art
Why this matters today Rosenberg’s framework still influences debates about originality, appropriation, and the role of the artist. It explains why process-oriented, conceptual, and performative practices often receive critical attention: they foreground action and the generation of new cultural problems rather than polished continuity. This emphasis on action and process led Rosenberg
“The canvas was a ‘place’ for action. The action on the canvas was not a representation of an action but an action in itself. One could not look at the painting as one looked at a landscape—from a distance. One had to enter into it, follow the gestures, rehearse the drama.”
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