The mother, whose obsession with her son's future stems from her own dissatisfaction.
Here’s why:
When we watch it today, huddled behind the blue light of our screens, we are looking for that rawness. We are looking for a time when emotion wasn't performed for an audience, but suffered in private. The "prisoner" in the title isn't held by bars, but by the inability to let go. It is the realization that the cage is not external; the cage is the heart itself. gefangene liebe 1994 okru