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Korean dramas have elevated the frivolous dress order to an art form. The trope is almost required: the heir to a conglomerate (chaebol) must order an entire boutique’s worth of clothes to be delivered to his sterile penthouse, just so he can ignore them.
Lily had always been known for her impeccable style and attention to detail, particularly when it came to her wardrobe. Her friends often joked that she could walk into a room dressed in a paper bag and still manage to look chic. So, when she received an invitation to a mysterious dress-only event with a stringent dress code—white dress, no exceptions—it piqued her interest. Korean dramas have elevated the frivolous dress order
The is a testament to the power of the image. While it may seem superficial on the surface, it is a sophisticated tool used to drive engagement, tell stories, and fuel a multi-billion dollar industry. Whether we are watching a period drama or scrolling through a fashion influencer’s feed, we are participating in a culture that values the spectacle of the "frivolous" as a key component of the media experience. Her friends often joked that she could walk
Moreover, the rise of “de-influencing” and anti-haul content on YouTube is creating a counter-narrative. The next wave of entertainment media may feature the —a character who deliberately wears a stained hoodie to a gala, sparking a different kind of drama. While it may seem superficial on the surface,
: Ranging from pink prom dresses to dot-printed princess frocks for kids.
The rise of social media has also contributed to the proliferation of frivolous dress in entertainment and media content. Platforms like Instagram and TikTok have given influencers and celebrities a space to showcase their fashion choices and connect with their fans. The likes of Kim Kardashian and Kylie Jenner have leveraged their massive followings to promote their fashion brands and showcase their eclectic styles.
Industry figures like Anna Wintour have used the term to push back against the idea that caring about clothes is shallow, arguing instead that it is a form of cultural communication.
