Is entertainment content a binding agent or a solvent? It is both. On one hand,
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Doctor Strange in the Multiverse of Madness was still in theaters. Marvel’s phase four had fully embraced the multiverse, a narrative device that allows infinite reboots, cameos, and erasures of consequence. On , critics began to ask: When every universe exists, does any choice matter? Yet, the audience answered with their wallets. Popular media had discovered a storytelling engine that could run forever, immune to continuity errors. Is entertainment content a binding agent or a solvent